Reshma Anwar
Reshma was born and raised in Leipzig, Germany. She graduated from The University of the Arts in Philadelphia with a Bachelor of Fine Arts (Hons.) in Dance and a minor in Music Business, Entrepreneurship and Technology in Music, as well as The Ailey School in New York City. During the Summer, she volunteered to teach dance in Jamaica and Haiti. Reshma also had the opportunity to participate in summer intensives, including the American Ballet Theater Collegiate Summer, Les Étés de la Danse in Paris and Ballet Hispanico's ChoreoLab. She interned with Dance Companies, such as Garth Fagan Dance, LA Contemporary Dance and American Ballet Theater. While living in New York City, she had the pleasure of working with Nathan Trice on The Recognizing Women Project and with Jacqueline Buglisi on the Table of Silence. In Miami, she has worked with Peter London Global Dance, Brazzdance, Pioneer Winter Collective and Alma Dance Theater. She is currently pursuing a Master of Public Administration at the London School of Economics and Political Science. (reshmadanse.com)
DAY 5
Last Day of structuring or unstructuring (?)
DAY 6
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DAY 1
To what extent do public spaces represent freedom? Do we choose or are we forced to immerse?
Map of the Senses:
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DAY 2
Tactile. Tacit. Tactful.
Space of the memory.
Letting the moment of the task be.
The face as expression of the inner space.
Feeling is the most heightened of the senses.
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DAY 3
Exploration of SPACE
" The body is a point of departure and the destination."
The question of the political body within the social space.
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DAY 4
Clarifying the experience
Questions that resulted from my research:
How do we fit into a structure? Do we have to be part of a structure? How do we escape a structure? Can we escape a structure? How do we make certain structures disappear?
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Last Day of structuring or unstructuring (?)
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It has been a beautiful journey sharing spaces with fellow artists and audiences whether aware or unaware.